Technologies of Consciousness
A talk by internationally recognized artist Marcos Lutyens covering the trajectory of his work that centers around consciousness. His emergent work spans neuroscience, shamanism, performance art, hypnosis, networked video, augmented reality, and various other art forms, seeking to expand what we consider to be the roots of consciousness.
In his explorations of consciousness, Lutyens has collaborated with celebrated neuroscientists V. Ramachandran and Richard Cytowic, as much as studying under shamans from different cultures. His works take form in installations, sculptures, drawings, short films, writings, and performances. Lutyens has exhibited internationally in numerous museums, galleries, and biennials, including the Royal Academy of Arts, Centre Pompidou, National Art Museum of China, Documenta, and the Biennials of Venice, Istanbul, Liverpool, São Paulo.
For more information about the MAT Seminar Series, go to:
Teaching Modular Synthesis and Sound Design Online During COVID-19: Improving Learning Outcomes with Open-source Software and Student-centered Pedagogy
This lecture introduces an innovative online teaching pedagogy in sound design and modular synthesis. It uses open-source software to improve student-centered learning outcomes during the ongoing COVID-19 pandemic. We wanted to achieve a similar level of engagement as in-person classes, inspire a diverse student body, offer ample technical and mental support, as well as open the possibility of learning sound design through Eurorack modular synthesizers without investing money in expensive hardware. Human subjects research was conducted during the course to improve the students’ learning experience and shape the pedagogy. The qualitative and quantitative data indicates the effectiveness of student-centered pedagogy. We promoted social interaction and student well-being while teaching challenging topics during challenging times.
Dr. Jiayue Cecilia Wu is a scholar, composer, vocalist, multimedia technologist, and audio engineer. She earned her Bachelor of Science degree in Design and Engineering in 2000. She then worked as a professional musician at Universal Music Group and EMI Records for ten years. In 2013, she obtained a Master of Arts degree in Music, Science, and Technology at Stanford University. In 2018, she received a PhD in Media Arts and Technology from the University of California Santa Barbara. Dr. Wu's work focuses on designing and using media technology to compose music for meditation and healing. Her work has been exhibited at museums and arts/science societies such as the National Museum of China, Denver Art Museum, IEEE, Linux Audio, ISEA, ICMC, NIME, AES, and SEAMUS. She is the chairperson of the Diversity, Equity, and Inclusion Committees for both AES and Colorado MahlerFest. She also serves as a voting member of the Recording Academy (Grammy), the Editor-in-Chief of SEAMUS, and the board director-at-large of ICMA. Currently, Dr. Wu is an assistant professor at the University of Colorado Denver’s College of Arts and Media.
Humans and machines are in constant conversations. Intelligent machines today are not only observers of the world, but they also make creative decisions. If AI imitates human beings to generate a symbolic system and actively communicate with us based on their own understandings of the universe, to what degree do their messages and meanings recontextualize our coexistence?
Cangjie’s Poetry Best in Show Award, SIGGRAPH 2021 Art Gallery Program.
UCSB alumni Donghao Ren (PhD Computer Science) collaborated on this project.
Astro examines our Earth, the only astronomical object known to harbor life, from the perspective of intelligent beings in outer space.
Weilu Ge (sound) and Shaoyu Su (3D artist) collaborated on this project.
Astro was also exhibited at the Shenzhen Museum of Contemporay Light’s opening show in April, 2021. The artwork was adapted so that it could be projected onto the exterior facade of the museum.
Astro at the Shenzhen Museum of Contemporay Light’s opening show.
Repository examines digital data authorship, ownership, transformation and longevity.
Volume of Voids II
Volume of Voids II
In collaboration with Shaoyu Su.
Professor Kuchera-Morin and Dr. Rincon will be joined by Jean Johnstone of UC Berkeley, and will evaluate the impact of arts, culture and entertainment to the future of California.
About the California 100 Research Grants
California 100 is a new statewide initiative being incubated at the University of California and Stanford University focused on inspiring a vision and strategy for California’s next century that is innovative, sustainable, and equitable. The initiative will harness the talent of a diverse array of leaders through research, policy innovation, advanced technology, and stakeholder engagement. As part of its research stream of work, California 100 is sponsoring 13 research projects focused on the following issue areas:
Gustavo Alfonso Rincon
Mark will work with scientists to create artworks that investigate and illuminate topics that deal with the basic building blocks of the universe. His focus at UCSB has been projects that are generative, collaborative, technologically-based and visually intriguing.
EmissionControl2 is a granular sound synthesizer. The theory of granular synthesis is described in the book Microsound (Curtis Roads, 2001, MIT Press).
Released in October 2020, the new app was developed by a team consisting of Professor Curtis Roads acting as project manager, with software developers Jack Kilgore and Rodney Duplessis. Kilgore is a computer science major at UCSB. Duplessis is a PhD student in music composition at UCSB and is also pursuing a Masters degree in the Media Arts and Technology graduate program.
EmissionControl2 is free and open-source software available at: github.com/jackkilgore/EmissionControl2/releases/latest
The project was supported by a Faculty Research Grant from the UCSB Academic Senate.
Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.
In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.
The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.