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For information about Covid-19 related research ramp up policies, see:
COVID-19 Information for the UC Santa Barbara Campus
Gestures, Models and Interaction Between Image and Sound
This presentation analyses several possibilities of interaction between image movement and sound, under the perspective of gestural and textural relations. Departing from theorists such as Hatten, Smalley, Wishart and Chion, who analyzed the idea of gesture and texture in music, we present several examples from the cinema repertoire (Hitchcock, Lawrence, Kubrick, Reggio, Tarkovski), as well as some author's experimental videos, where specific gestures in the image interrelate with sound/music gestures, in ways that can have multiple meanings, or go beyond the direct translation of one into the other. Gesture will be analysed structurally related to its energetic potential, emotion induction, movement and meaning/metaphor. Other concepts such as causality, energy-motion-trajectory, articulation of a continuum, hierarchical levels and disturbances, analysed by the above-mentioned authors will also be applied to the sound-image relation.
Composer João Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. He studied organ performance, composition and architecture in Lisbon. He completed a PhD in Music at the University of New York at Stony Brook. His music includes opera, orchestral compositions, chamber music, electroacoustic music and experimental video. He has received over 70 international prizes and awards for his works, including three Prizes at Bourges Electroacoustic Music Competition, the prestigious Magisterium Prize and Giga-Hertz Special Award, 1st Prize in Metamorphoses competition, 1st Prize in Yamaha-Visiones Sonoras Competition, 1st Prize in Musica Nova competition. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). His publications include several articles in journals and a book on 20th century music theory.
For more information about the MAT Seminar Series, go to:
Humans and machines are in constant conversations. Intelligent machines today are not only observers of the world, but they also make creative decisions. If AI imitates human beings to generate a symbolic system and actively communicate with us based on their own understandings of the universe, to what degree do their messages and meanings recontextualize our coexistence?
Cangjie’s Poetry Best in Show Award, SIGGRAPH 2021 Art Gallery Program.
UCSB alumni Donghao Ren (PhD Computer Science) collaborated on this project.
Astro examines our Earth, the only astronomical object known to harbor life, from the perspective of intelligent beings in outer space.
Weilu Ge (sound) and Shaoyu Su (3D artist) collaborated on this project.
Astro was also exhibited at the Shenzhen Museum of Contemporay Light’s opening show in April, 2021. The artwork was adapted so that it could be projected onto the exterior facade of the museum.
Astro at the Shenzhen Museum of Contemporay Light’s opening show.
Repository examines digital data authorship, ownership, transformation and longevity.
Volume of Voids II
Volume of Voids II
In collaboration with Shaoyu Su.
Professor Kuchera-Morin and Dr. Rincon will be joined by Jean Johnstone of UC Berkeley, and will evaluate the impact of arts, culture and entertainment to the future of California.
About the California 100 Research Grants
California 100 is a new statewide initiative being incubated at the University of California and Stanford University focused on inspiring a vision and strategy for California’s next century that is innovative, sustainable, and equitable. The initiative will harness the talent of a diverse array of leaders through research, policy innovation, advanced technology, and stakeholder engagement. As part of its research stream of work, California 100 is sponsoring 13 research projects focused on the following issue areas:
Gustavo Alfonso Rincon
Anzu Kawazoe and Yon Visell
MAT 80XU (E)Utopian Design Tools (Mediated Worlds: THEMAS Special Topics)
The course is part of the MAT THEMAS undergraduate course series that incorporates STEM + Arts & Humanities (Technology Humanities Engineering Mathematics Arts Sciences).
What does it mean to "make the world a better place"? How do we enact eutopias (good, possible places) rather than merely imagine utopias (ideal, impossible places)? (E)Utopian Design Tools is a creative-computing and project-based class that operationalizes positive and innovative change. Working with the 3D graphics program Blender and connected platforms, we leverage digital tools as the arm of our imaginations, addressing contemporary problems as creative opportunities. We engage worldmaking, immersive art, and speculative design through the transdisciplinary pedagogical model of THEMAS (STEM+Arts+creative Humanities) to impart a holistic thinking and making toolbox. Additionally, we train a making reflex to problem-solving through iteration and prototyping. Strategies for designing with impact, ingenuity, and empathy are further refined via concepts from cognitive science, user-centered design, engineering ethics, and information aesthetics, among other areas. A selective survey of the literature of utopias also contextualizes this undertaking. In these ways, we empower students to meet challenges holistically, effectively, imaginatively, and compassionately, with a cutting-edge toolkit supercharged with computation. The "real world" is not fixed but music in motion: we are its composers and performers. In this unique, historical moment, how will you create the future?
Mark will work with scientists to create artworks that investigate and illuminate topics that deal with the basic building blocks of the universe. His focus at UCSB has been projects that are generative, collaborative, technologically-based and visually intriguing.
EmissionControl2 is a granular sound synthesizer. The theory of granular synthesis is described in the book Microsound (Curtis Roads, 2001, MIT Press).
Released in October 2020, the new app was developed by a team consisting of Professor Curtis Roads acting as project manager, with software developers Jack Kilgore and Rodney Duplessis. Kilgore is a computer science major at UCSB. Duplessis is a PhD student in music composition at UCSB and is also pursuing a Masters degree in the Media Arts and Technology graduate program.
EmissionControl2 is free and open-source software available at: github.com/jackkilgore/EmissionControl2/releases/latest
The project was supported by a Faculty Research Grant from the UCSB Academic Senate.
Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.
In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.
The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.